[text available in French only]. The critic (and member of the Editorial comity of ESPACE art actuel magazine) Mathieu Teasdale publishes an analysis of several works by artist Jeremy Shaw.
On behalf of public health, the Canadian Parliament is preparing to legalize the recreational use of cannabis. By regulating its production and consumption, and no longer prohibiting it, Canada makes this drug (
[texte available in french only], the art critic and curator (and both Director and member of the Editorial comity of ESPACE art actuel magazine) André-Louis Paré publishes a review of the play Nos guettos, by the artists Jean-François Nadeau + Stéfan Boucher. The play is presented
[texte available in french only], the art critic and curator (and both Director and member of the Editorial comity of ESPACE art actuel magazine) André-Louis Paré publishes a review of the performance Oblivion, by the artist Sarah Vanhee. The performance/art installation is presented as part of
The presentation of Ivo van Hove’s Kings of Wars at the 2018 FTA festival was a much anticipated event in Montreal. A boisterous standing ovation at the end of the play’s opening night performance sent a clear (
[texte available in french only], the art critic and curator (and member of the Editorial comity of ESPACE art actuel magazine) Bénédicte Ramade publishes a review of the film Union of the North, written by the artist Matthew Barney, directed by the choreographer Erna Ómarsdóttir and the
This summer, if everything works out as planned, artist and geographer Trevor Paglen will launch a reflecting sculpture titled Orbital Reflector into extra-atmospheric space. Produced with a lightweight (
Can we heal our wounds? And to do so, must we relegate them to oblivion or consign them to a form of liberating reconciliation? In recent years at the political level, we have seen the (
Art as a fictional presence has always encouraged the expression of artistic emotions. Whether it is through theatre, fiction writing, music, painting, sculpture, photography, film or video, human beings as (
Presented as wall reliefs, free-standing pieces or walking-in environments, Henrique Oliveira’s works are always hybrid forms, organic structures that merge with architecture or objects crafted to blur the limits with nature and (
For many, the word “digital” is not always conceptually clear. Used both as an adjective and a noun, its definition is, at times, vague. There is no question, however, that over the course of the past few decades (
The theme Faire Statue (Statue Play) is the special topic for this collection of essays that inaugurates the 30th anniversary of ESPACE art actuel magazine. Co-directed by Mélanie Boucher, a member (