[texte available in French only] Anna Brunette is a master’s student in art history at UQAM and publishes here a review on the two recent Axeneo7 exhibitions: Alexis Bellavance’s “Compressions : tables préparées” and Sarah Wendt + Pascal Dufaux’s “Quelque part dans l’inachevé”.
[texte available in French only] Laurent Vernet holds a Master’s degree in art history and a doctorate in urban studies and publishes here a review on the forum entitled “L’art public à l’épreuve de la commémoration corrigée” at Bibliothèque et Archives nationales du Québec on October 7, 2019.
Clearly, the word “transparency” is increasingly present now in the discourse of public administration, business ethics, and in all forms of goods and services. Not a day goes by without this notion (…)
[texte available in French only] Sophie Guignard, a doctoral student in art history at the Université du Québec à Montréal (UQAM) publishes a review of the 10th edition of the Rencontres photographiques en Gaspésie.
In Granma, history, of the grand forward-marching and/or circle-turning variety, and narrative threads of the everyday and mundane sort overlap, intertwine and interweave to form a tapestry centred on the heritage of the Cuban revolution. At once intimate and (…)
[texte available in French only], the art critic Karine P. Bouchard publishes a review of the different sound art installations in public spaces as part of the 2019 edition of the Festival International de Musique Actuelle de Victoriaville (FIMAV).
[texte available in French only], the critic (and member of the Editorial comity of ESPACE art actuel magazine) Mathieu Teasdale publishes a review of the play Quasi niente, by playwrights (and actors) Daria Deflorian and Antonio Tagliarini. The show is presented as part of the 2019 edition of the Festival TransAmériques.
[texte available in French only], the critic (and member of the Editorial comity of ESPACE art actuel magazine) Mathieu Teasdale publishes a review of the play Tous des oiseaux, by the author and playright Wajdi Mouawad. The show is presented as part of the 2019 edition of the Festival TransAmériques.
[texte available in French only], the art critic and curator (and member of the Editorial comity of ESPACE art actuel magazine) Bénedicte Ramade publishes a review of the play Kalakuta Republik, by the artist and choreographer Serge Aimé Coulibaly. The show is presented as part of the 2019 edition of the Festival TransAmériques.
For the past ten years, Simon Bilodeau’s multidisciplinary practice has displayed an aesthetics that shows his disenchantment with our civilization. His cynical and scathing look at today’s world enables us to envision the loss and waste that will occur, suggesting the archeological sites of the future in his paintings and installations. Simon Bilodeau holds a…
Since 2017, Gallery 17/18, an exhibition space in the building that houses the Embassy of the Czech Republic, in Ottawa, has presented exhibitions featuring a Czech and a Canadian artist together. This salon-type space (…)
