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n° 132 - Autumn 2022
Enfleshing Flesh: An Interview with Mlondolozi (Mlondi) Zondi
Edwin Janzen
Justine Skahan, De l’intérieur vers l’extérieur
David Blatherwick
Mathieu Beauséjour, Demi-monde
Sam Weselowski
Stan Douglas: 2011 ≠ 1848
André-Louis Parén° 132 - Autumn 2022
Aesthetics/Ethics of the Flesh
Julia Skelly
Solace and Wakeup Calls: the 59th Venice Biennale
André-Louis Parén° 131 Spring-Summer 2022
Poetics of the voice
André-Louis Parén° 130 - Winter 2022
Space in the feminine
André-Louis Parén° 129 (Fall 2021)
Redefining Museums
Aseman Sabetn° 128 Spring-Summer 2021
Parc Offsite: An Interview with Eli Kerr
André-Louis Parén° 128 Spring-Summer 2021
It’s all happening so fast
André-Louis Paréno. 127 - winter 2021
Re-territorializing Public Space
No. 125 - spring-summer 2020
Interview with karen elaine spencer
No. 126 - fall 2020
Massimo Guerrera, Domus (Se rencontrer vraiment) (2017)
André-Louis ParéNo. 126 - fall 2020
Laboratory thinking
Cliff EylandNo. 116 - spring-summer 2017
Machine Edge: An interview with Erika Lincoln
André-Louis ParéNo. 125 - spring-summer 2020
Dictatorships in the neoliberal age
No. 125 - spring-summer 2020
karen elaine spencer, always the same, 2013
Bernard SchützeNo. 118 - winter 2018
Sculpture of Steel, City of Nerves. A review of Dendrites by Michel de Broin
André-Louis ParéNo. 122 - spring-summer 2019
De la destruction : un entretien avec Jean Pierre Raynaud
Vincent MarquisNo. 114 – fall 2016
‘Making Faces Our Weapons’: Biometrics, Identity, and the Potential of the Visage
Bernard SchützeFIFAFIFA 2020
FIFA 2020 | Stéphane Ghez : Charlotte Perriand, pionnière de l’art de vivre
Bénédicte RamadeFIFAFIFA 2020
FIFA 2020 | Joris Gijsen : Wild Gene
Mathieu TeasdaleNo. 120 - fall 2018
Pour une propédeutique des para-espaces dans l’œuvre de Jeremy Shaw
Michael BlumNo. 111 – fall 2015
Borders 101
André-Louis ParéNo. 124 - winter 2020
Creating in the Era of Artificial Intelligence
Daphné BoxerNo. 124 - winter 2020
Landscape Past Future: An interview with Adam Basanta
No. 124 - winter 2020
Adam Basanta, Collaged 19th century photographic landscapes with trees, palms, and observers, 2019
2020 Fundraising Campaign
Ariane Lemieux
Displacement, destruction, protection: views on endangered heritage (about a round table on Dominique Blain’s exhibition).
Michelle Drapeau
COZIC. Over to You. From 1967 to Now
Anna Brunette
Alexis Bellavance, Sarah Wendt + Pascal Dufaux at AXENÉO7
Laurent Vernet
Dialogues avec l’histoire
André-Louis ParéNo. 123 - fall 2019
Transparency
Sophie Guignard
Rencontres photographiques en Gaspésie : une 10e édition éclectique et conviviale
Bernard SchützeFTA
FTA 2019 | Stefan Kaegi: Granma. Trombones from Havana
Karine P. BouchardFIMAV
FIMAV 2019 | L’art sonore au Festival international de musique actuelle de Victoriaville
Mathieu TeasdaleFTA
FTA 2019 | Daria Deflorian + Antonio Tagliarini: Quasi niente
Mathieu TeasdaleFTA
FTA 2019 | Wajdi Mouawad: Tous des oiseaux
Bénédicte RamadeFTA
FTA 2019 | Serge Aimé Coulibaly: Kalakuta Republik
André-Louis ParéNo. 122 - spring-summer 2019
Destruction/Creation in the Age of Capitalism
Jean-Michel Quirion
Karen Kraven and Radek Brousil, Whrrr Whrrr.
André-Louis ParéNo. 121 - winter 2019
To create with animals or not
André-Louis ParéNo. 120 - fall 2018
Art and Psychoactives
FTA
FTA 2018 | Jean-François Nadeau + Stéfan Boucher, Nos ghettos
FTA
FTA 2018 | Sarah Vanhee: Oblivion
Bernard SchützeFTA
FTA 2018 | Whispers and Thunders in the Halls of Power
FTA
FTA 2018 | Union of The North : Matthew Barney, Valdimar Johannsson & Erna Omarsdottir
André-Louis ParéNo. 119 - spring-summer 2018
Space in question
André-Louis ParéNo. 118 - winter 2018
Redress?
André-Louis ParéNo. 117 – fall 2017
Emotions and Visual Arts
John K. Grande
Henrique Oliveira – Being & Form
André-Louis ParéNo. 116 - spring-summer 2017
Sculpture in the Digital Age
Andre-Louis ParéNo. 115 – winter 2017
Motionless Bodies in a World on the Go
André-Louis ParéNo. 114 – fall 2016
Face Politics
Louise BrunetNo. 114 – fall 2016
Édition/Forme/Expérimentation : Rethinking the book
André-Louis ParéNo. 113 – spring-summer 2016
Fetishes: When the Object Becomes Thing
André-Louis ParéNo. 112 – winter 2016
Art, Memory and Truth
André-Louis ParéNo. 111 – fall 2015
Migrations, Borders and… Creation
André-Louis ParéNo. 111 – fall 2015
Aram Han Sifuentes: The Politics of an Immigrant
André-Louis ParéNo. 110 – spring-summer 2015
Ecology: Between Ethics and Aesthetics
Bénédicte RamadeNo. 110 – spring-summer 2015
Ecological Art: Pushing the Limits of the Exhibition
Caitlin ChaissonNo. 110 – spring-summer 2015
Black Gold: The Esoteric and the Ecological
Caroline Loncol DaigneaultNo. 110 – spring-summer 2015
Nature in Brackets: The Position of an Art Centre
Pamela MackenzieNo. 110 – spring-summer 2015
Plastic Undone: Montalti’s Ephemeral Icons
Gentiane BélangerNo. 110 – spring-summer 2015
World of Matter, or Complex Thought about Terrains
Christine RossNo. 110 – spring-summer 2015
The Cloud in Video: Notes on Isabelle Hayeur’s Aftermaths
Isabelle HermannNo. 110 – spring-summer 2015
Nicolás Uriburu: Greenpeace to the Rescue!
Gil McElroyNo. 110 – spring-summer 2015
Rhonda Weppler and Trevor Mahovsky: Veneers
Adam BarbuNo. 110 – spring-summer 2015
Nicolas Fleming: Something that accompanies one everyday and everywhere
Anaïs CastroNo. 110 – spring-summer 2015
Jon Rafman: A Profound Dissonance
André-Louis ParéNo. 110 – spring-summer 2015
Milutin Gubash, exhibition catalogue
André-Louis ParéNo. 109 – winter 2015
The Diorama: Fascinating, Provocative and Educational
Mélanie BoucherNo. 109 – winter 2015
Starving of Sudan by Xu Zhen: Epistemology and Pragmatics of the Diorama
Guillaume Le GallNo. 109 – winter 2015
Dominique Gonzalez-Foerster and the Persistence of the Diorama
Jean-Philippe UzelNo. 109 – winter 2015
Bête Noire by Kent Monkman. Revenge by Diorama
Marie-Ève MarchandNo. 109 – winter 2015
The Diorama as Artistic Process
Anne-Marie St-Jean AubreNo. 109 – winter 2015
Vicky Sabourin’s Stagings
Nathalie LafortuneNo. 109 – winter 2015
Bois d’Œuvre, Rendez-vous au Cœur de l’Ouvrage. The Saint-Jean-Port-Joli Biennale
Ariane BelisleNo. 109 – winter 2015
Rachel Kneebone: 399 Days
Anaïs CastroNo. 109 – winter 2015
Katie Paterson: Ideas That Are Out There
André-Louis ParéNo. 109 – winter 2015
Graeme Patterson. Secret Citadel
Peter DubéNo. 109 – winter 2015
The Human Factor. The Figure in Contemporary Sculpture, Ralph Rugoff (ed.)
Serge FisetteNo. 109 – winter 2015
Camp Fires. The Queer Baroque of Léopold L. Foulem, Paul Mathieu, Richard Milette. (Edited by Paula Sarson)
No. 109 – winter 2015
Raqs Media Collective: Casebook.
André-Louis ParéNo. 108 – fall 2014
Renewing Sculpture’s Possibilities
Maxime CoulombeNo. 108 – fall 2014
Sculpture, You Ask?
Marie-Hélène LeblancNo. 108 – fall 2014
Man and Machine in Sculpture and in War Alike
Josianne PoirierNo. 108 – fall 2014
Soundscape as material
Peter DubéNo. 108 – fall 2014
Metaphorical Spaces : An Interview with James Nizam
RM VaughanNo. 108 – fall 2014
Monoceros: of the Earth, for the Stars (a meditation on the concretized magyck of FASTWÜRMS)
André-Louis ParéNo. 108 – fall 2014
The space that remains : an interview with Guillaume La Brie
Rupert NuttleNo. 108 – fall 2014
Derya Akay: Material Hangings, Hangouts
Hili PerlsonNo. 108 – fall 2014
If You Are So Smart, Why Aint’ You Rich?
Tai van ToornNo. 108 – fall 2014
Hua Jin: Conversing in the Passing of Time
Peter DubéNo. 108 – fall 2014
RM Vaughan, Compared to Hitler: Selected Essays
André-Louis ParéNo. 107 – spring-summer 2014
New Espace, New Perspectives
Claire KuenyNo. 107 – spring-summer 2014
Beyond sculpture, the shadow ?
Sylvie CoellierNo. 107 – spring-summer 2014
Sculpture today: Somewhere between enclosure and expansion
André-Louis ParéNo. 107 – spring-summer 2014
The possibles of sculpture
Aseman SabetNo. 107 – spring-summer 2014
Jeff Thomas. Reclaiming One’s History in Public Space
Bénédicte RamadeNo. 107 – spring-summer 2014
Confronting destinies: Pierre Huyghe and Philippe Parreno
Petra HalkesNo. 107 – spring-summer 2014
Bozica Radjenovic. Unraveling Tension
Gil McElroyNo. 107 – spring-summer 2014
Gareth Lichty. Gabion Tower
Bernard SchützeNo. 107 – spring-summer 2014
Heteropolis. Published by Adaptive Actions
Alexandre NunesNo. 107 – spring-summer 2014
Stephen Wright, Toward a Lexicon of Usership
Éric ValentinNo. 106 - winter 2013
Claes Oldenburg & Coosje Can Bruggen. Public Sculpture, Architecture and Urbanism
Nycole PaquinNo. 106 - winter 2013
The Illuminated Cave. Dale Chihully’s Exhilarating Shadows
André-Louis ParéNo. 106 - winter 2013
The Ar(t)chitecture of Tadashi Kawamata: Between disruption and reconciliation
Jessica LiNo. 106 - winter 2013
Yam Lau: A World is a Model of the World
John K. GrandeNo. 106 - winter 2013
Peter Hutchinson – With Nature in Mind
Petra HalkesNo. 106 - winter 2013
Anna Frlan: Interbellum III
Iris AmizlevNo. 106 - winter 2013
Tino Sehgal. Esse est percipi—To be is to be perceived 1
Dion KlinerNo. 106 - winter 2013
Richard Clements’ Day Treadeth On Night
Gil McElroyNo. 106 - winter 2013
Ai WeiWei: According to What?
No. 106 - winter 2013
Philip Monk, Glamour Is Theft : A user’s guide to General Idea, 1969-1978
Laurent VernetNo. 105 - fall 2013
The Spectacle of Art
Josianne PoirierNo. 105 - fall 2013
Articulated Intersect and the Spectacle System
Julie BoivinNo. 105 - fall 2013
Center Stage: Recuperating the object in Debordian discourse
Catherine LalondeNo. 105 - fall 2013
The End of the Comet? (Interview with René Blouin)
Denis LongchampsNo. 105 - fall 2013
Ghost stories..
Gil McElroyNo. 105 - fall 2013
Clint Neufeld: Pipe Dreams of Madame Récamier
Margaret RodgersNo. 105 - fall 2013
Andrea Carvalho, Made to Measure: and more ideas on space
André-Louis ParéNo. 103-104 – spring-summer 2013
Mapped Space: Walking, Travelling, Sculpting
Nathalie Casemajor LoustauNo. 103-104 – spring-summer 2013
Mark Lombardi’s Topographies of Power: The Work in the Map
Gilles A. TiberghienNo. 103-104 – spring-summer 2013
The Imaginary Cartographic World in Contemporary Art 1
Nathalie Daniel-RisacherNo. 103-104 – spring-summer 2013
Cartography and Contemporary Art. “The Body of the Place.” 1
Martin ChampagneNo. 103-104 – spring-summer 2013
Réal Patry : Private Properties
Bénédicte RamadeNo. 103-104 – spring-summer 2013
Geolocation: You Are Here
François ChalifourNo. 103-104 – spring-summer 2013
Depart, Remain; Nostalgia and Melancholy in the Work of Jean-Yves Vigneau
André-Louis ParéNo. 103-104 – spring-summer 2013
Atlas of Movements: the Montreal Walks (interview with Christoph Fink)
Aseman SabetNo. 103-104 – spring-summer 2013
New Problematics of the Ephemeral
Edisabel Marrero TejedaNo. 103-104 – spring-summer 2013
Ingrid Bachmann. On Truth and Lies in the stricto sensu
John K. GrandeNo. 103-104 – spring-summer 2013
Roland Poulin: Ultime dialogue
Natalie OlanickNo. 103-104 – spring-summer 2013
Penelope Stewart: Apian Screen
Gil McElroyNo. 103-104 – spring-summer 2013
Lyla Rye: Cyclorama
No. 103-104 – spring-summer 2013
José Luis Torres: Autoconstrucciones
Serge FisetteNo. 102 - winter 2012
Restoring Sculpture
Francine CoutureNo. 102 - winter 2012
Conservation, a Collaborative Act between the Artist and the Conservator
Nathalie Daniel-RisacherNo. 102 - winter 2012
Daniel Buren, Les deux plateaux. A Controversial Restoration
Serge FisetteNo. 102 - winter 2012
Restoring Public Sculpture in Montréal (Interview with Snejanka Popova 1)
Claude PayerNo. 102 - winter 2012
Restoration of a Remarkable Corpus by Sculptor Pierre-Noël Levasseur
Aseman SabetNo. 102 - winter 2012
On the Public in Art: Decompartmentalization and Transgression
John K. GrandeNo. 102 - winter 2012
From N.E. Thing Co. to Gold, Silver & Lead
Gil McElroyNo. 102 - winter 2012
Zeke Moores: Constructs
Nycole PaquinNo. 101 - fall 2012
The Great and the LITTLE World: On the Scale of Excessive
Manon RegimbaldNo. 101 - fall 2012
The Call of Excessiveness. On the Works of Jérôme Fortin and Guy Laramée
Marjolaine ArpinNo. 101 - fall 2012
The Miniature and the Boundless
Alessandra MarianiNo. 101 - fall 2012
Megalomanias: Architecture, Urbanism and Their Fictions
John K. GrandeNo. 101 - fall 2012
Newton & Helen Mayer Harrison: How Big is Here?
Mireille PerronNo. 101 - fall 2012
Greg Payce: Illusions
Ray EllenwoodNo. 101 - fall 2012
The Passion of the Patenteux
No. 101 - fall 2012
Eco-Art
No. 58 - Winter 2001-02
Sculpting the Imagination : an interview with Raymond Gervais