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Gabi Dao, Hold these questions close
The Architecture of Departure
N° 136 - Hiver 2024
Building: Finding an Urban Ethics
N° 135 - Fall 2023
The Futures of Smell
Marcia Pitch, The Invisible Woman
n° 134 - spring-summer 2023
Thinking About Pornography in a Different Way
FIFA 2023: Afterimages and Reflections
Ice Follies
MAHKU (Movimento dos Artistas Huni Kuin), Vende tela, compra terra
n° 133 - Winter 2023
Neurodiversity: Recognizing difference
n° 132 - Autumn 2022
Enfleshing Flesh: An Interview with Mlondolozi (Mlondi) Zondi
Justine Skahan, De l’intérieur vers l’extérieur
Mathieu Beauséjour, Demi-monde
Stan Douglas: 2011 ≠ 1848
n° 132 - Autumn 2022
Aesthetics/Ethics of the Flesh
Solace and Wakeup Calls: the 59th Venice Biennale
n° 131 Spring-Summer 2022
Poetics of the voice
Miles Greenberg, Late October
n° 130 - Winter 2022
Space in the feminine
n° 129 (Fall 2021)
Redefining Museums
n° 128 Spring-Summer 2021
Parc Offsite: An Interview with Eli Kerr
n° 128 Spring-Summer 2021
It’s all happening so fast
no. 127 - winter 2021
Re-territorializing Public Space
No. 125 - spring-summer 2020
Interview with karen elaine spencer
No. 126 - fall 2020
Massimo Guerrera, Domus (Se rencontrer vraiment) (2017)
No. 126 - fall 2020
Laboratory thinking
No. 116 - spring-summer 2017
Machine Edge: An interview with Erika Lincoln
No. 125 - spring-summer 2020
Dictatorships in the neoliberal age
No. 125 - spring-summer 2020
karen elaine spencer, always the same, 2013
No. 118 - winter 2018
Sculpture of Steel, City of Nerves. A review of Dendrites by Michel de Broin
No. 122 - spring-summer 2019
De la destruction : un entretien avec Jean Pierre Raynaud
FIFAFIFA 2020
FIFA 2020 | Stéphane Ghez : Charlotte Perriand, pionnière de l’art de vivre
FIFAFIFA 2020
FIFA 2020 | Joris Gijsen : Wild Gene
No. 124 - winter 2020
Creating in the Era of Artificial Intelligence
No. 124 - winter 2020
Landscape Past Future: An interview with Adam Basanta
No. 124 - winter 2020
Adam Basanta, Collaged 19th century photographic landscapes with trees, palms, and observers, 2019
No. 124 - winter 2020
Inordinate Images.
On the machine aesthetics of AI-based art
On the machine aesthetics of AI-based art
2020 Fundraising Campaign
Displacement, destruction, protection: views on endangered heritage (about a round table on Dominique Blain’s exhibition).
COZIC. Over to You. From 1967 to Now
Alexis Bellavance, Sarah Wendt + Pascal Dufaux at AXENÉO7
Dialogues avec l’histoire
No. 123 - fall 2019
Shadow of Clear Glass: Wyn Geleynse and Iñigo Manglano-Ovalle
No. 123 - fall 2019
Transparency
Rencontres photographiques en Gaspésie : une 10e édition éclectique et conviviale
FTA
FTA 2019 | Stefan Kaegi: Granma. Trombones from Havana
FIMAV
FIMAV 2019 | L’art sonore au Festival international de musique actuelle de Victoriaville
FTA
FTA 2019 | Daria Deflorian + Antonio Tagliarini: Quasi niente
FTA
FTA 2019 | Wajdi Mouawad: Tous des oiseaux
FTA
FTA 2019 | Serge Aimé Coulibaly: Kalakuta Republik
No. 122 - spring-summer 2019
Destruction/Creation in the Age of Capitalism
No. 122 - spring-summer 2019
Smashing Vases: Ceramics and the Aesthetics of Destruction in Works
by Ai Weiwei and Liu Jianhua
by Ai Weiwei and Liu Jianhua
Karen Kraven and Radek Brousil, Whrrr Whrrr.
No. 121 - winter 2019
Fevered Sleep’s Sheep Pig Goat
No. 121 - winter 2019
To create with animals or not
No. 120 - fall 2018
Pour une propédeutique des para-espaces dans l’œuvre de Jeremy Shaw
No. 120 - fall 2018
Art and Psychoactives
FTA
FTA 2018 | Jean-François Nadeau + Stéfan Boucher, Nos ghettos
FTA
FTA 2018 | Sarah Vanhee: Oblivion
FTA
FTA 2018 | Whispers and Thunders in the Halls of Power
FTA
FTA 2018 | Union of The North : Matthew Barney, Valdimar Johannsson & Erna Omarsdottir
No. 119 - spring-summer 2018
Space in question
No. 118 - winter 2018
Crisis and Circulation: The Representation of Flows in Teresa Margolles’ Recent Work
No. 118 - winter 2018
Empathetic Responses: Emily Falencki and Eric Fischl
No. 118 - winter 2018
Redress?
No. 117 – fall 2017
Emotions and Visual Arts
Henrique Oliveira – Being & Form
No. 116 - spring-summer 2017
Sculpture in the Digital Age
No. 115 – winter 2017
Motionless Bodies in a World on the Go
No. 114 – fall 2016
Face Politics
No. 114 – fall 2016
Édition/Forme/Expérimentation : Rethinking the book
No. 114 – fall 2016
‘Making Faces Our Weapons’: Biometrics, Identity, and the Potential of the Visage
No. 113 – spring-summer 2016
Fetishes: When the Object Becomes Thing
No. 112 – winter 2016
Art, Memory and Truth
No. 111 – fall 2015
Borders 101
No. 111 – fall 2015
Migrations, Borders and… Creation
No. 111 – fall 2015
Aram Han Sifuentes: The Politics of an Immigrant
No. 110 – spring-summer 2015
Ecology: Between Ethics and Aesthetics
No. 110 – spring-summer 2015
Ecological Art: Pushing the Limits of the Exhibition
No. 110 – spring-summer 2015
Black Gold: The Esoteric and the Ecological
No. 110 – spring-summer 2015
Nature in Brackets: The Position of an Art Centre
No. 110 – spring-summer 2015
Plastic Undone: Montalti’s Ephemeral Icons
No. 110 – spring-summer 2015
World of Matter, or Complex Thought about Terrains
No. 110 – spring-summer 2015
The Cloud in Video: Notes on Isabelle Hayeur’s Aftermaths
No. 110 – spring-summer 2015
Nicolás Uriburu: Greenpeace to the Rescue!
No. 110 – spring-summer 2015
Rhonda Weppler and Trevor Mahovsky: Veneers
No. 110 – spring-summer 2015
Nicolas Fleming: Something that accompanies one everyday and everywhere
No. 110 – spring-summer 2015
Jon Rafman: A Profound Dissonance
No. 110 – spring-summer 2015
Milutin Gubash, exhibition catalogue
No. 109 – winter 2015
The Diorama: Fascinating, Provocative and Educational
No. 109 – winter 2015
Starving of Sudan by Xu Zhen: Epistemology and Pragmatics of the Diorama
No. 109 – winter 2015
Dominique Gonzalez-Foerster and the Persistence of the Diorama
No. 109 – winter 2015
Bête Noire by Kent Monkman. Revenge by Diorama
No. 109 – winter 2015
The Diorama as Artistic Process
No. 109 – winter 2015
Vicky Sabourin’s Stagings
No. 109 – winter 2015
Bois d’Œuvre, Rendez-vous au Cœur de l’Ouvrage. The Saint-Jean-Port-Joli Biennale
No. 109 – winter 2015
Rachel Kneebone: 399 Days
No. 109 – winter 2015
Katie Paterson: Ideas That Are Out There
No. 109 – winter 2015
Graeme Patterson. Secret Citadel
No. 109 – winter 2015
The Human Factor. The Figure in Contemporary Sculpture, Ralph Rugoff (ed.)
No. 109 – winter 2015
Camp Fires. The Queer Baroque of Léopold L. Foulem, Paul Mathieu, Richard Milette. (Edited by Paula Sarson)
No. 109 – winter 2015
Raqs Media Collective: Casebook.
No. 108 – fall 2014
Renewing Sculpture’s Possibilities
No. 108 – fall 2014
Sculpture, You Ask?
No. 108 – fall 2014
Man and Machine in Sculpture and in War Alike
No. 108 – fall 2014
Soundscape as material
No. 108 – fall 2014
Metaphorical Spaces : An Interview with James Nizam
No. 108 – fall 2014
Monoceros: of the Earth, for the Stars (a meditation on the concretized magyck of FASTWÜRMS)
No. 108 – fall 2014
The space that remains : an interview with Guillaume La Brie
No. 108 – fall 2014
Derya Akay: Material Hangings, Hangouts
No. 108 – fall 2014
If You Are So Smart, Why Aint’ You Rich?
No. 108 – fall 2014
Hua Jin: Conversing in the Passing of Time
No. 108 – fall 2014
RM Vaughan, Compared to Hitler: Selected Essays
No. 107 – spring-summer 2014
New Espace, New Perspectives
No. 107 – spring-summer 2014
Beyond sculpture, the shadow ?
No. 107 – spring-summer 2014
Sculpture today: Somewhere between enclosure and expansion
No. 107 – spring-summer 2014
The possibles of sculpture
No. 107 – spring-summer 2014
Jeff Thomas. Reclaiming One’s History in Public Space
No. 107 – spring-summer 2014
Confronting destinies: Pierre Huyghe and Philippe Parreno
No. 107 – spring-summer 2014
Bozica Radjenovic. Unraveling Tension
No. 107 – spring-summer 2014
Gareth Lichty. Gabion Tower
No. 107 – spring-summer 2014
Heteropolis. Published by Adaptive Actions
No. 107 – spring-summer 2014
Stephen Wright, Toward a Lexicon of Usership
No. 106 - winter 2013
Claes Oldenburg & Coosje Can Bruggen. Public Sculpture, Architecture and Urbanism
No. 106 - winter 2013
The Illuminated Cave. Dale Chihully’s Exhilarating Shadows
No. 106 - winter 2013
The Ar(t)chitecture of Tadashi Kawamata: Between disruption and reconciliation
No. 106 - winter 2013
Yam Lau: A World is a Model of the World
No. 106 - winter 2013
Peter Hutchinson – With Nature in Mind
No. 106 - winter 2013
Anna Frlan: Interbellum III
No. 106 - winter 2013
Tino Sehgal. Esse est percipi—To be is to be perceived 1
No. 106 - winter 2013
Richard Clements’ Day Treadeth On Night
No. 106 - winter 2013
Ai WeiWei: According to What?
No. 106 - winter 2013
Philip Monk, Glamour Is Theft : A user’s guide to General Idea, 1969-1978
No. 105 - fall 2013
The Spectacle of Art
No. 105 - fall 2013
Articulated Intersect and the Spectacle System
No. 105 - fall 2013
Center Stage: Recuperating the object in Debordian discourse
No. 105 - fall 2013
The End of the Comet? (Interview with René Blouin)
No. 105 - fall 2013
Ghost stories..
No. 105 - fall 2013
Clint Neufeld: Pipe Dreams of Madame Récamier
No. 105 - fall 2013
Andrea Carvalho, Made to Measure: and more ideas on space
No. 103-104 – spring-summer 2013
Mapped Space: Walking, Travelling, Sculpting
No. 103-104 – spring-summer 2013
Mark Lombardi’s Topographies of Power: The Work in the Map
No. 103-104 – spring-summer 2013
The Imaginary Cartographic World in Contemporary Art 1
No. 103-104 – spring-summer 2013
Cartography and Contemporary Art. “The Body of the Place.” 1
No. 103-104 – spring-summer 2013
Réal Patry : Private Properties
No. 103-104 – spring-summer 2013
Geolocation: You Are Here
No. 103-104 – spring-summer 2013
Depart, Remain; Nostalgia and Melancholy in the Work of Jean-Yves Vigneau
No. 103-104 – spring-summer 2013
Atlas of Movements: the Montreal Walks (interview with Christoph Fink)
No. 103-104 – spring-summer 2013
New Problematics of the Ephemeral
No. 103-104 – spring-summer 2013
Ingrid Bachmann. On Truth and Lies in the stricto sensu
No. 103-104 – spring-summer 2013
Roland Poulin: Ultime dialogue
No. 103-104 – spring-summer 2013
Penelope Stewart: Apian Screen
No. 103-104 – spring-summer 2013
Lyla Rye: Cyclorama
No. 103-104 – spring-summer 2013
José Luis Torres: Autoconstrucciones
No. 102 - winter 2012
Restoring Sculpture
No. 102 - winter 2012
Conservation, a Collaborative Act between the Artist and the Conservator
No. 102 - winter 2012
Daniel Buren, Les deux plateaux. A Controversial Restoration
No. 102 - winter 2012
Restoring Public Sculpture in Montréal (Interview with Snejanka Popova 1)
No. 102 - winter 2012
Restoration of a Remarkable Corpus by Sculptor Pierre-Noël Levasseur
No. 102 - winter 2012
On the Public in Art: Decompartmentalization and Transgression
No. 102 - winter 2012
From N.E. Thing Co. to Gold, Silver & Lead
No. 102 - winter 2012
Zeke Moores: Constructs
No. 101 - fall 2012
The Great and the LITTLE World: On the Scale of Excessive
No. 101 - fall 2012
The Call of Excessiveness. On the Works of Jérôme Fortin and Guy Laramée
No. 101 - fall 2012
The Miniature and the Boundless
No. 101 - fall 2012
Megalomanias: Architecture, Urbanism and Their Fictions
No. 101 - fall 2012
Newton & Helen Mayer Harrison: How Big is Here?
No. 101 - fall 2012
Greg Payce: Illusions
No. 101 - fall 2012
The Passion of the Patenteux
No. 101 - fall 2012
Eco-Art
No. 58 - Winter 2001-02
Sculpting the Imagination : an interview with Raymond Gervais