At this stage in the development of the global war on terror, it would be hard to be startled by the rhetoric of prevention and preventability that has tinted the aftermath of each of its turning points (…)
To meet a stranger in chance circumstances and then realize that the many affinities you share might just spark a nascent friendship is indeed a precious (…)
[text available in French only] The art critic and curator (and member of the Editorial comity of ESPACE art actuel magazine) Bénedicte Ramade publishes a review of the film (…)
[text available in French only]. The critic (and member of the Editorial comity of ESPACE art actuel magazine) Mathieu Teasdale publishes an analysis of several works by artist Jeremy Shaw.
The natural border is the only true border, indisputable, absolute. The others are only imitations, human constructions unable to equal natural perfection.
Wouldn’t it be wonderful if Artificial Intelligence could remedy our shortfalls and help us to surmount our hesitations and fears? If it could relieve us of the burden of existence. If AI could become (…)
As artificial intelligence rapidly becomes omnipresent in our daily lives—from predictive writing to self-driving cars—it is only natural that an increasing number of artists have (…)
Using various mediums, Adam Basanta explores technological practices as socially-mediated performances, distributed and intertwined throughout a variety of human, cultural, material and computational (…)
Contribute to the future of ESPACE art actuel by contributing to its 2020 fundraising campaign! Many of you share with us your astonishment and enthusiasm for the changes made since issue 107 of ESPACE art actuel. To encourage us to continue this renewal effort, the small ESPACE team is asking for your generosity. Published by the Centre de diffusion 3D,…
[text available in French only] Ariane Lemieux is a doctor of art history specializing in the history of museums and publishes here a review of “Displacement, destruction, protection: views on endangered heritage”, a round table on November 5th, 2019 with artist Dominique Blain (…)
[text available in French only] Michelle Drapeau is a candidate for the Master’s degree in Art History at Laval University, an independent curator and cultural worker from Moncton (NB), based in Quebec City and publishes here a review of the MNBAQ’s exhibition “COZIC. Over to You. From 1967 to Now“.
