Parc Offsite: An Interview with Eli Kerr
For the past 7 years, Eli Kerr has been committed to producing exhibitions through emerging alternative models in Tiohtià:ke/Montréal’s contemporary art scene. After working for a few years as cofounder with Daphné Boxer of VIE D’ANGE, an art space that closed in the midst of aggressive gentrification, in the Fall of 2020 he opened Parc…
Climatology
If there is an urgent matter that must dominate government decisions from now on all over the world, but more precisely those of the industrialized countries such as Canada, it is certainly the one linked to climate. Regardless of efforts to create a balance between the economy and ecology, it is hard to believe that…
Une commande citoyenne : entretien avec Pascal Le Brun-Cordier
[text available in French only] Laurent Vernet interviews the Artistic Director Pascal Le Brun-Cordier on a 2019 public art project involving the citizens of Tremblay-en-France.
Re-territorializing Public Space
With the dismantling of monuments of controversial figures, calls to change the names of streets and public places, as well as protests seeking a just recognition of minority groups, the public sphere, associated with the democratization of exchange between citizens, has undergone profound change, even re-territorialization over the last few years. Having taken hold in…
Interview with karen elaine spencer
Through the diverse textual, performative and material forms that characterize her practice, karen elaine spencer has developed over the last 30 years a dense corpus (…)
Massimo Guerrera, Domus (Se rencontrer vraiment) (2017)
Massimo Guerrera uses different mediums, such as drawing, writing, sculpture, photography, installation and performance, to explore the fertile space of interaction and interior shifts that exists between (…)
Laboratory thinking
Unless you are Robinson on his desert island, the arrival of Covid-19 and the current public health crisis along with the ensuing debate, notably on its origins, has reminded us of an obvious fact that (…)
Machine Edge: An interview with Erika Lincoln
Cliff Eyland: You are known to your peers as a high-tech artist, artists are never at the cutting edge of technology—it’s the military-industrial simplex (my term) that always gets there first. Thoughts? (…)
