Pour une propédeutique des para-espaces dans l’œuvre de Jeremy Shaw
[text available in French only]. The critic (and member of the Editorial comity of ESPACE art actuel magazine) Mathieu Teasdale publishes an analysis of several works by artist Jeremy Shaw.
Borders 101
The natural border is the only true border, indisputable, absolute. The others are only imitations, human constructions unable to equal natural perfection.
Creating in the Era of Artificial Intelligence
Wouldn’t it be wonderful if Artificial Intelligence could remedy our shortfalls and help us to surmount our hesitations and fears? If it could relieve us of the burden of existence. If AI could become human and even more than human. But let’s not get carried away. Could AI one day (…)
Landscape Past Future: An interview with Adam Basanta
As artificial intelligence rapidly becomes omnipresent in our daily lives—from predictive writing to self-driving cars—it is only natural that an increasing number of artists have (…)
Adam Basanta, Collaged 19th century photographic landscapes with trees, palms, and observers, 2019
Using various mediums, Adam Basanta explores technological practices as socially-mediated performances, distributed and intertwined throughout a variety of human, cultural, material and computational agencies. His work (…)
Displacement, destruction, protection: views on endangered heritage (about a round table on Dominique Blain’s exhibition).
[text available in French only] Ariane Lemieux is a doctor of art history specializing in the history of museums and publishes here a review of “Displacement, destruction, protection: views on endangered heritage”, a round table on November 5th, 2019 with artist Dominique Blain (…)
COZIC. Over to You. From 1967 to Now
[text available in French only] Michelle Drapeau is a candidate for the Master’s degree in Art History at Laval University, an independent curator and cultural worker from Moncton (NB), based in Quebec City and publishes here a review of the MNBAQ’s exhibition “COZIC. Over to You. From 1967 to Now“.
Alexis Bellavance, Sarah Wendt + Pascal Dufaux at AXENÉO7
[text available in French only] Anna Brunette is a master’s student in art history at UQAM and publishes here a review on the two recent Axeneo7 exhibitions: Alexis Bellavance’s “Compressions : tables préparées” and Sarah Wendt + Pascal Dufaux’s “Quelque part dans l’inachevé“.
Dialogues avec l’histoire
[text available in French only] Laurent Vernet holds a Master’s degree in art history and a doctorate in urban studies and publishes here a review on the forum entitled “L’art public à l’épreuve de la commémoration corrigée” at Bibliothèque et Archives nationales du Québec on October 7, 2019.
Transparency
Clearly, the word “transparency” is increasingly present now in the discourse of public administration, business ethics, and in all forms of goods and services. Not a day goes by without this notion (…)
