FTA 2019 | Stefan Kaegi: Granma. Trombones from Havana

In Granma, history, of the grand forward-marching and/or circle-turning variety, and narrative threads of the everyday and mundane sort overlap, intertwine and interweave to form a tapestry centred on the heritage of the Cuban revolution. At once intimate and (…)

FTA 2019 | Daria Deflorian + Antonio Tagliarini: Quasi niente

[text available in French only], the critic (and member of the Editorial comity of ESPACE art actuel magazine) Mathieu Teasdale publishes a review of the play Quasi niente, by playwrights (and actors) Daria Deflorian and Antonio Tagliarini. The show is presented as part of the 2019 edition of the Festival TransAmériques.

FTA 2019 | Wajdi Mouawad: Tous des oiseaux

[text available in French only], the critic (and member of the Editorial comity of ESPACE art actuel magazine) Mathieu Teasdale publishes a review of the play Tous des oiseaux, by the author and playright Wajdi Mouawad. The show is presented as part of the 2019 edition of the Festival TransAmériques.

FTA 2019 | Serge Aimé Coulibaly: Kalakuta Republik

[text available in French only], the art critic and curator (and member of the Editorial comity of ESPACE art actuel magazine) Bénedicte Ramade publishes a review of the play Kalakuta Republik, by the artist and choreographer Serge Aimé Coulibaly. The show is presented as part of the 2019 edition of the Festival TransAmériques.

FTA 2018 | Jean-François Nadeau + Stéfan Boucher, Nos ghettos

[texte available in french only], the art critic and curator (and both Director and member of the Editorial comity of ESPACE art actuel magazine) André-Louis Paré publishes a review of the play Nos guettos, by the artists Jean-François Nadeau + Stéfan Boucher. The play is presented as part of the 2018 edition of the Festival TransAmériques.

FTA 2018 | Sarah Vanhee: Oblivion

[texte available in french only], the art critic and curator (and both Director and member of the Editorial comity of ESPACE art actuel magazine) André-Louis Paré publishes a review of the performance Oblivion, by the artist Sarah Vanhee. The performance/art installation is presented as part of the 2018 edition of the Festival TransAmériques.