Shanie Tomassini explores the cyclical and renewable potential of objects, sites, and ideas. Evoking sustainability, craftsmanship, and ecofeminism, her sculptural work hints at the sacred emerging from the mundane. She presented several solo exhibitions, namely at CLARK Center in Montreal, and at the UMLAUF Museum in Austin, TX. She is a current recipient of the Darling Foundry Montreal Studio fellowship (2023-2026) and is installing her first two public art commissions in 2025.

Alex Boeschenstein is an interdisciplinary artist whose subject is history; how it haunts the present, and how it failed the future. He uses weird fiction, Cold War parapolitics, and the geosciences to investigate occluded substratums of U.S. culture and politics. He is an interdisciplinary artist based out of Austin, TX. Recent solo exhibitions include Visionary Rumor at the Roswell Museum and Silent Terminalia at the Buffalo Institute for Contemporary Art, NY.

For issue no. 141 (feature: Minerals), ESPACE is presenting a work by artists Shanie Tomassini & Alex Boeschenstein, printed in 20 copies, Circular Evidence (Culberson Sulfur Mine) (2025).

Shanie Tomassini and Alex Boeschenstein, Circular Evidence (Culberson Sulfur Mine), 2025. Video still. Inkjet print on Moab Entrada 300. 16 cm x 28.44 cm. Courtesy of the artists.

$120 CAD (including issue no. 141 of ESPACE art actuel + taxes and shipping costs). Each print (1/20) is individually signed and numbered.