Flesh
editorial
2
Aesthetics/ethics of the Flesh
André-Louis Paré
6
Renaissance flesh: exhibithing the sexism of the past
Itay Sapir
16
Sculptural Skins: Surface as Content
Sarah Moore Fillmore
26
Remembering Armenian Genocide: Michael Rakowitz’s The Flesh Is Yours, The Bones Are Ours (2015)
Mehmet Berkay Sülek
36
Porous Skin(s)
Justine Kohleal and/et Tak Pham
46
Between Oceans and Wounds: Notes on Anthropophagic Contemporary Artistic Practices
Luísa Santos
58
A “Visual Bomb” for a Half-Sleeping Country : Chile’s Underground Diva of the Sexually Grotesque
Julia Eilers Smith
68
En carne propria: Tania Brugera’s flesh as work
Analays Alvarez Hernandez
interview
74
Digital carnivorism : an interview with Philippe Hamelin
Laurent Vernet
events
82
59e édition de la Biennale de Venise, The Milk of Dreams
Julie Richard
90
Manif d’art 10, Les illusions sont réelles
Nathalie Bachand
reviews
96
Flesh Arranges Itself Differently
Maximiliane Leuschner
98
Jeffrey Poirier, Pando
Geneviève Thibault
99
Crónicas: Resonancias, Chroniques : Résonances, Chronicles: Resonances
Aude Sirey du Buc de Ferret
101
Élaine LaBrie, Le moindre geste
Christian Roy
103
Anicka Yi, Metaspore
Sandra Barré
105
Cynthia Girard-Renard,
Petites baleines à dents, volet 2
Jean-Philippe Uzel
107
Nicoline van Harskamp, Englishes
Jessica Minier
109
Nadège Grebmeier Forget, pour ce qui brille, minutie for that which shines, minutiae
Ariel Rondeau
110
Ta’n a’sikatikl sipu’l|Confluence
Ray Cronin
books
113
selected titles
Cover :
Jes Fan, Soft Goods I, 2017. Digital inkjet print, 56 x 71 cm. Courtesy of the artist and Empty Gallery, Hong Kong.